Momgelina ‘n Maddox Pandemonium

SADLY MY DEARS,brad has moved on,he doesn’t want x that is why he left,isn’t that the reason you leave?he left her ,he loves angie,not x so forget it my god what does it take for x and her fans to believe he LEFT HER,do you get it,damn dumb people OVER!!!!!!!!!!!!!

HAPPY FRIDAY TO EVERYONE …ok, including trolls too *sighed*

OMG!!! trolls are truly stupid to the highest order. For years they believe in the tabloids and they are predicting that Brad and Angie will be over soon and that he will go back to X. Now Brad said that he and X still have a deep friendship….and guess what they called him a LIAR, that he and X are not friend…if they are NOT FRIEND, THAN WHY IN THE WORLD HE GOES BACK WITH HER?……muahahahahaha… I think all of them are bipolar or something or troll please take your head out of your arses and your foot out of your mouth.

Angelina is always dressed so classy and appropriate for the occasion. She never dresses or behaves like she is self-absorbed or full of herself, like so many Hollywood moms often do. She is really someone to look up to in all that she does.

611 I respect Brad even more : 09/07/2007 at 11:08 am

Haters can always TWIST facts.

Did people ever think , it has been 2 years since the judge signed the divorce decree (divorce decree was signed 8/19/05) , may be he felt 2 years is enough time to give respect to this marriage. Now, 2 years later, or may be 3 years from the time separation was announced, it’s time to straighten the facts.

Whatever it is, I am glad he did the interview. I’ve come to RESPECT him even more.

But if you are neutral, what the following posters said is what I interpret:–

My take : 09/06/2007 at 9:56 pm says

1. he had a turbulent married life (talking of a crisis in his 30’s. he respects his friendship with Aniston.

2. Angie is not the reason for his divorce.

3. There is no going BACK. He can’t live without his family.

4. Angie has made him a NEW man (sharing same vision with Angie, the reason why they fell in love and are together).

5. All the tabloid stuff are manufactured and cited his mom to end speculation that his mom prefers Jen.

AND

Estelle : 09/06/2007 at 9:01 pm says:

Brad answered all the questions and BS from the tabloids and the media in 2 simple interviews.

1) Tabloids/media: Brad going back to X
Brad : “I can not go back..”

2) Tabloids/media: Brad missed his old life style
Brad : “I’m happy …I’m where I want to be…

3) Tabloids/media: Brad wants out or another child is too soon, Brad said.
Brad : I feel the warm…I love my children…I can’t
imagine my life without them…we are not done….I’m ready
for the 5th child….

4) Tabloids/media: Brad does not love Angie
Brad : “She is my great love, my best friend, generous and a
fantastic mother….

Just a suggestion the thread yesterday was turned into a three ring circus, lets try to avoid that today. I can already see the haters bringing over post that were discussed at length yesterday. Please, don’t let them turn this post away from the main focus with article talk yet again.

Please let the dummies continue to talk about Brad & his comments about the X.

Now for the rest of us, when is the premier ot TAOFF in the Unites States?

155 THANK-YOU, I’M SICK OF THESE PEOPLE THEY CANNOT GET IT THROUGH HEAD, BRAD DOES NOT LOVE X,HE LEFT BECAUSE HE HAD TO GET OUT WHY DO PEOPLE LEAVE?BECAUSE THEY DON’T WANT TO BE THERE,THESE STUPID FANS AND X CANNOT GET IT IN THEIR HEAD,BRAD LEFT X HE DOES NOT WANT HER,HE WANTS HIS FAMILY,NOW CRAP OR GET OFF THE POT.

158 ooo: THE ONLY ONE LOOKING SAD IS THE X, AND YOU IDIOTS KNOW IT.

Maniston really did a number on you Jenhags.still sucking on that bitter hatred of an eternal victim. Life must be good living in such a state. You know hiding behind your hooded white sheet, hiding behind your “goddess circle friends”, hiding behind fake sources, and “goody..goody good image.” Life must be nice the “eternal victim” unable to move on. Oh oh..oh…how I feel so sorry for you…..The world has wrong me, Brad has wrong, Angie most of all has wrong me for being so beautiful and for having a life I said that I wanted…forever the eternal victim. Hallmark should have a special card for you guys. The unable to move {****} on eternal victim. So sad…so sad..so sad…pity me please pity me..pity me….

149 Ha! : 09/07/2007 at 12:26 pm
heart her - it’s funny how having millions of dollars at your disposal can open up other options. Hmmm, perhaps the school has a private, less visible entrance they could use? Or maybe they could have chosen a more private school specifically to shield him from this attention? They have the money to do whatever they need to do to give their family the most normal life possible. Hence, options. Covering their children with blankets and locking them away from the world were only mentioned by you. Think outside the box a little.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

This school is probably the best option since it is international. Because they travel alot he can go to the same school in almost any country and he wouldn’t have to learn a new process, he can almost pick up right where he left off. If there is another entrance/exit with less exposure that would be nice but you know right or wrong this is the children”s life. There are going to be photogs where ever they go until things hopefully one day settle down, they need to learn to deal with that. The children need to learn how to block it out and go on with their daily lives, sad but true. If you shield them to much from it they will never adjust, it will never become common place and that will hurt them in the long run more than it will help them.

The Assassination of Jesse James by the Coward Robert Ford
Lee Marshall in Venice
03 Sep 2007 16:13

Dir: Andrew Dominik. USA 2007. 159 mins.

Stirring, nuanced and elegaic, Andrew Dominik’s retelling of Jesse James’s legend is equal parts a mentor-acolyte love story, a melancholy neo-Western and a tragedy of betrayal with Biblical echoes. Based on the historical novel by Ron Hansen, the film touches on the way history and the media create heroes and monsters, asking what might have happened in the months and days leading up to the killing of Jesse James by Robert Ford, a 19-year-old member of the outlaw’s extended family of friends and associates in crime.

Ravishingly shot in an autumn-to-winter pallette by Roger Deakins and featuring a mesmeric central performance by Casey Affleck, solidly supported (whatever the poster says) by Brad Pitt, this is a mature, meticuolous work.

Most of the conversations and meetings portrayed here are pure speculation, but an illusion of veracity is created by the film’s unhurried chronological strucure, careful on-screen annotation of dates and locations, and drawling third-person narrative voice-over.

But on this docu-drama base The Assassination of Jesse James builds an edifice that is at once moving and dreamlike – finally hitting the epic chord without striving for epic effect.

The running time of over two and a half hours doesn’t feel like an imposition, though it will be a further test to audiences already challenged by the unfashionable genre.

Still, Pitt is a no-matter-what-he’s-in pull for many, and takings both domestically and overseas will also be bolstered by positive reviews and word of mouth. Like the film itself, the box-office paradigm looks to be ’start slow and build’.

“He was growing into middle age” the opening voice-over tells us, with just the faintest hint of irony: and we see Pitt as Jesse James sitting comfortably at home, in a rocking chair, in a suburban home that seems to challenge our expectations of the Western genre.

But we are soon told that Jesse is still only 34 – and cut to the James gang’s last big train heist, in Blue Cut, Missouri, on 7 September 1881, 14 years after James’ first robbery and less than seven months before his death. James seems more at home here in the woods, surrounded by a band of outlaws – amateurs mostly, apart from Jesse’s older brother Frank (a gloriously grizzly Sam Shepard).

It’s at this point that young Robert Ford (Casey Affleck) approaches and asks to be taken on as one of the gang.

We get Ford at first glance: he has a whipped dog look in his eyes, but also a quick intelligence and deviousness. Jesse James is his hero: he has a collection of dime novels and newspaper clippings about the outlaw, who even before he was 30 was being portrayed as a Wild West Robin Hood.

James himself brushes off the legend that has built up around him, but he also seems secretly fascinated by it, caught in its headlights.

So begins an uneasy relationship between two unequal men: one a charismatic but suspicious loner who seems old and drained well before his time, the other a boy without any discernible qualities except a keen sense of resentment, stoked by continual teasings by his older brother and cousins, and an edge of psychosis, which prepares us for his transformation into that familiar figure, the fan who turns nasty – or the conflicted Judas figure compelled to shop the hero he worships.

Pitt is good, Affleck revelatory, suggesting depths of yearning behind Ford’s impotent, craven exterior and growing in strength and confidence as James moves in the opposite direction, from genial power to haunted desperation.

And the rest of the cast are strong too, from Sam Rockwell as Robert’s brother Charley to Paul Schneider as the backwoods poet and happy-go-lucky womaniser **** Liddil.

The West portrayed here is a place that encompasses both encroaching urbanisation and areas of untouched rural purity, ice-bound lakes and remote ranches that have an oneiric quality, like a painting by Andrew Wyeth.

DoP Deakins mixes widescreen epic landscapes with dark, intimate interiors, and certain scenes are shot with blurred edges, as as if through a bottle – a technique that is neatly explained towards the end, when we are reminded that photographs of Jesse James’ corpse were a popular attraction in peep shows and stereoscopes.

The soundtrack, by Nick Cave and Warren Ellis, revolves around a lilting theme that changes orchestration as the film progresses, starting off in almost jaunty mode on what sounds like a vibraphone before gradually building to a full orchestral swell at the end.

Cave also puts in a cameo as a saloon strummer singing the Ballad of Jesse James – the song that more than anything, gave Robert Ford the bad PR image which Dominik’s fine second outing attempts, at least partly, to reverse.

thanks jj for new thread, i was at old one. Angie looks beautiful as always. Here is a video of France premeiere of AOJJ. In the end of this video, Brad was so adorable and so funny. god, this man is perfect, simply perfect.
http://video.google.com/videoplay?docid=-4207275686504450446&q=brad+pitt+angelina+jolie&total=333&start=0&num=10&so=1&type=search&plindex=0