Angelina Jolie Backs Barack Obama?

dope, you are too stupid to correct or educate. Does your condition hurt much ? You might consider turning off the TV,eschewing any and all tabloids , and read some really good literature for the next oh 4 or 5 years . Then possibly you might cultivate some thinking skills and discern what is factual and what is fiction .

I ORDERED W MAG AND THEY SAID I WOULD GET anne hathaway issue first. W WILL PROBABLY BE ON THE RACKS B4 I GET MINE. I WILL BUY ONE OR TWO TO SELL ON EBAY

who hangs out here at this time of night.I know there are people from all over the world w/ different time zones. I JUST HAPEN TO BE AWAKE AND CAN NOT SLEEP. 8 days till the issue…oct.21? right?…….I MUST KNOW!…….Good night sorry for caps….zzzzzzzzzzzz

I want to say without you j/p fans, I would have to search harder to find pics and info. You all do a very good job of every last pic, detail and fact. Thank you “all “for making my life easier. I knew more of BRAD B4 Angie beacuse as a woman I found him irresitable to not look on the internet for pics of him. I now know Angie better. now. All I have to say about Jen is she made her bed, now she can lay in it alone or w/ her dog or hell some guy any guy…,I am truly happy Brad found what he wanted and Shares his life with someone who also wanted lots of kids.

passing through are you still searchin for news or tired as hell……..lol

is Brad responsible for her “Rachel” acting or her being “easy”?? This woman has issues not the “girl” her fans attribute to a 40 year old woman.

JenHAGS…..realize your hags’ appeal… LOSERers have a short shelf-life

the best couple ever

http://www.incentria.com/index.php?ref=nikomilinko

Eastwood finally talks about ‘Gran Torino’
You gotta love the power and stature Clint Eastwood commands. Only he, and he alone, determines what remains secret and what doesn’t.

We’ve all been wondering about his upcoming pic “Gran Torino,” which he both directed and stars in. So far, we don’t know very much. We’re not even sure when in December the film will be released.

This week, Eastwood talked about “Gran Torino” for the first time publicly when doing press for the other fall film he directed, Angelina Jolie starrer “The Changeling.”

Here’s what he said in one interview:

“I’m a weirdo in it. I play a real racist It’s a great time in life (to do that) because, you know, what can they do to you once you’re past 70? There’s nothing they can do. But it also has redemption. This Hmong family moves in next door, and he has been in the Korean War, in the infantry, and looks down on Asian people and lumps everybody together. But finally they befriend him in his time of need because he has no relationship with his family.”
Here’s another comment from Eastwood that came during an interview with MTV:

“I enjoy working. My family goes with me most of the time. It doesn’t seem like I work as much as I did when I was younger, but I guess it’s because I was traveling more. ‘Gran Torino’ was a little project that came along as I was doing postproduction on ‘Changeling,’ so I said, ‘Yeah, I’ll do this.’ It’s the Frank Sinatra retirement thing: ‘One more time.’ It’s a crazy character, and I said, ‘I think I can play this character.’ We’ll see and leave that in the eye of the beholder. I love playing golf and doing other things, but when you’ve been doing it a certain amount of time, it becomes a part of you.”

http://www.variety.com/blog/150000615.html

i meant to point out the fluff of HS musical or heidi and spencer!!! is on the A train!!wtf?? brad and angelina haters will bring about Jen’s demise!! soon will be the days when reality crap “celebs” dominate. And old tv wannabees will be cateorgized as movie wannabees!!!!

Jenlovers….how do you justify that Jen seems to support OBAMA!

Is it all Angelina’s fault??????

oh look, some dim sum trying to stir up crap. BP and AJ fans recognize fake name-changing trolls or passive-agressive fake fans.

so much for building those houses in NOLA, Benjamin Button costed 27 million to taxpayers in NOLA.

Another brillant idea of Mr. Pitt who told Paramount he wanted the film made in NOLA

LOS ANGELES — Already on the hook for billions to bail out Wall Street, taxpayers are also finding themselves stuck with a growing tab for state programs intended to increase local film production.
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Rick Scibelli Jr. for The New York Times

The vacant set for “Terminator Salvation,” outside Albuquerque.

One of the most shocking bills has come due in Louisiana, where residents are financing a hefty share of Brad Pitt’s next movie — $27,117,737, to be exact, which the producers will receive by cashing or selling off valuable tax credits.

As the number of movies made under these plans multiplied in recent years, the state money turned into a welcome rescue plan for Hollywood at a time when private investors were fleeing the movies. But the glamour business has not always been kind to those who pick up the costs, and states are moving to rein in their largess that has allowed producers to be reimbursed for all manner of expenditures, whether the salaries of stars, the rental of studio space or meals for the crew.

Louisiana, one of the most assertive players in the subsidy game, wound up covering that outsize piece of the nearly $167 million budget of Mr. Pitt’s “The Curious Case of Benjamin Button” — the state’s biggest movie payout to date — when producers for Paramount Pictures and Warner Brothers qualified the coming movie, a special-effects drama, under an incentive that has since been tightened. Separately, Louisiana’s former film commissioner is set to be sentenced in January to as much as 15 years in federal prison for taking bribes to inflate film budgets (though not that of “Button”) and, hence, pay higher subsidies.
Virtually all of the programs use a state tax system to reimburse producers for money spent on movies or TV shows shot in the state. Some, like Michigan’s, simply refund a percentage of expenditures to the producer. Others, like Louisiana’s, issue a tax credit that can reduce the taxes a production pays or be sold to someone else. Either way, the state gives up revenue that otherwise would be collected to put money in the producer’s pockets.

Advocates, of course, argue that these programs create jobs.

One of the country’s most successful programs is in New Mexico, which has backed movies like the Oscar-winning “No Country for Old Men” and next year’s “Terminator Salvation,” the latest sequel in the action series, with a reported budget of $200 million.

New Mexico officials boast of having used a 25 percent production cost rebate to build a local film industry that has attracted more than $600 million in direct spending since 2003, and an estimated $1.8 billion in total financial impact, as of last June. And in fiscal year 2008, the productions in the state generated 142,577 days of employment, up from 25,293 in 2004.

Elsewhere, however, critics have sharply challenged the notion that state subsidies for the film business can ever buy more than momentary glitter.

“There’s no evidence yet that this is a particularly efficient or effective way to create jobs,” said Noah Berger, executive director of the Massachusetts Budget and Policy Center.

The nonprofit center reviews budget and tax policies in Massachusetts, which is spending about $60 million a year on producer credits. A recent study by Mr. Berger’s center pointed out that the state’s film credit, at 25 percent, is five times higher than that offered to those who build in designated economic opportunity areas, and more than eight times the state’s standard investment tax credit.
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Rex C. Curry for The New York Times

Roger DeKay of Louisiana Wave Studio draining a 750,000-gallon pool to prepare it for a coming film production.

Until two years ago, Louisiana’s program offered a 15 percent credit for virtually the entire budget of a qualified film (and more for Louisiana resident wages), including money that may have been spent out of state. Things were fast and loose enough in Louisiana that Mark Smith, who oversaw the program, pleaded guilty last year to taking $67,500 in bribes to inflate budgets for a film production company that was not named by the authorities.

Kathy English, a spokeswoman for the United States attorney’s office in New Orleans, said the case remained open.

Louisiana’s new rules offer a larger credit, but only on spending within the state. That made the incentive less attractive for big-budget movies, like “Button,” which was done under old rules, and could recover parts of star salaries and other expenses that left Louisiana. But it has drawn a welter of smaller movies and TV shows, 70 of which have been shot so far in 2008, up from 56 the year before.