Prison Break episode "The Key" recap is finally here courtesy of geniass!!  Almost 100 screencaps in the gallery!  … Previously on Prison Break, T-Bag slit Abruzzi’s throat and left his fate to Jesus. Before Lincoln’s execution, he swears he saw his father. Nick might have a secret agenda; Michael and Sara had a moment in the infirmary; Tweener’s new cellie is Avocado, and Lincoln was on his way to see LJ when his van went on a collision course.

The scene opens up with Lincoln thrown out from the overturned van, lying on the grass, dried blood all over his face and gasping for air. His vision is blurred as Kellerman comes over and begins to suffocate Lincoln with a leather glove, while Lincoln struggles under him. Another driver stops by to offer his help hindering Kellerman’s plan at murdering the death row inmate. Kellerman tries to get rid of him, but is one step behind as the driver whips him with a fire extinguisher. Lincoln’s vision is still blurred as this mystery man drags him away.

Back at Fox River, Sucre is released from Ad-Seg, and reunites with the gang. Michael informs the break out crew that the map is complete. The new plan involves them walking above ground directly to the infirmary. Anyone else sees a problem with this? The missing piece however is getting the key to the infirmary. C-Note thinks it will be another “bump and swipe” but Michael says it won’t be that easy since only the medical staff have the keys. The boys continue to chatter when Westmoreland breathes out in disbelief, “Jesus, Mary Joseph,” as they all turn to notice Abruzzi sporting a brand-new scar on his neck, a new hair-do and T-Bag looks like he’s about to piss in his pants.  (continued after the jump)

(continued before the jump)

Abruzzi is found reading passages from the Bible while holding a cross in the cafeteria. Michael greets him, while he’s still spouting mumbo jumbo. Abruzzi is surprised that the gang hasn’t broken out yet while Michael wonders if his newfound faith is willing to provide the original transportation out of the country. Abruzzi tells him he is. And in the first scene that made me chuckle, Abruzzi gets Michael to pray with him before their meal. T-Bag looks on from another table nervously as he knows that Abruzzi isn’t going to forget this easily.

The Pope is furious at the turn of events and that Lincoln is gone. He’s ready to call the DOC (Department of Corrections) to report the incident when Bellick warns him that doing so will get everyone fired. The Pope doesn’t want to be remembered this way when he retires and tells Bellick to find Burrows.

Lincoln and the mystery man drive up to a junk yard and into a garage.

Back in Chicago, Veronica and Nick are still going over Quinn’s phone records. Nick thinks that they’re wasting time and that maybe the phone records aren’t connected to Lincoln and Steadman. What are you trying to hide Nick? Veronica asks Nick if he’s giving up, he says no, and she dumps a pile of papers in front of him, “then let’s get to it.”

Outside of the infirmary, Nurse Katie is finishing up with a patient and exiting the exam room when she tells Michael that Dr. Tancredi is coming. Michael stops the door from closing and purposely locks it. Dr. Sara comes around and they exchange pleasantries. Sara finding the door locked, reaches for her keys and ushers Michael in.

Bellick is at the scene of the crime trying to get information from the sheriff. Kellerman is sitting in an ambulance holding an ice pack to his head. Poor guy, first he gets shot at, and then he gets hit in the head. Kellerman, take my advice and just sell jerky and be content. Bellick tries to question Kellerman but he brushes him off and gives him a fake story. He gets in his car and we see that he also has access to the police band.

Back in the infirmary, Sara uses the privacy curtain to shield a shirtless Michael from pesky eyes. Michael’s eyes are on the infirmary key which happens to be sticking out of her pocket. She cleans up his burn while he winces in pain. When Sara turns back to look at Michael, he leans forward and kisses her passionately. Sara looks surprised but responds before pulling away. She stares back at him, her expression neutral before releasing a nervous chuckle while still holding his face. Michael gazes back at her with sleepy eyes as she asks in exasperation, “What do you want from me, Michael?” Michael seems to be torn by her question and continues to glance back at the key before deciding to go with the plan and tells her that he needs her to do something for him. Upon hearing her soft response, he looks even more conflicted as he realizes that he can’t do it and instead asks her to “Wait for me.” Sara looks shocked. Michael whispers in her hair that they can have a future together, that “it won’t always be like this,” but Sara tearfully pulls away and tells him that until then, she can’t. Sara, it’s only 2.5 years if he has good behavior! Their moment is interrupted when an orderly comes in. Sara tells Michael that they can’t have a relationship and walks away. Michael actually looks hurt.

Tweener nervously walks back into his cell as it closes and tries to work out a deal with Avocado, his new burly cellie. Avocado says there’s only one thing he needs from Tweener and skillfully hangs a sheet. Something tells me that they aren’t making guacamole back there. After his demise, he’s out in the yard looking pretty miserable when Michael walks over and asks for a favor. He needs another “bump and swipe” since he couldn’t get the key from Sara. Tweener snits that the last time he did a favor for Michael, he ended up with Avocado and the only way he’ll do something for Michael is if he does something for him. The camera continues to pan to Avocado who is (shield your eyes!) lying around like a Playboy bunny as Tweener tells Michael to kill him. Michael tells him he can’t as Tweener tearfully reveals how he ended up at Fox River. Apparently he stole a baseball card worth $300,000 – qualified as grand larceny. Poor Tweener! Apparently Michael thinks so too. How in the world can Tweener and Michael be serving the same time for crimes that are clearly on different levels?

Lincoln awakens in the abandoned garage and sees the mystery man. As he looms closer, his vision clears and he recognizes that he’s his father! Lincoln asks what he’s doing here. Turns out that Lincoln’s misfortune has all been the work of his father, well indirectly. Daddy Burrows used to work for The Company, a group that calls all the shots in the country. He wanted to rise in the company to gain access to top secret information, but in exchange had to give up his family. It seems like Mommy Burrows did the right thing in telling the kids that their father was an abusive drunk. How do you tell your kids that your Dad would rather rule the world than be with them? Lincoln finds all of this hard to believe. Daddy Burrows regrets his decision but by then, he was in The Company too deep already. And now they want to do everything in their power to stop him.

Michael is out in the yard calling his wife Nika for a favor. Tsk, tsk, Michael, you can’t send your wife in to do a man’s job! She wants to know what’s going on but he refuses to tell her. She says that their deal was finished, “green card in exchange for credit card.” Michael insists that they can make a new deal. She’s reluctant to help him and tells him to “stop fighting. It’ll only make things worse.” He tells her to think about it but she says no and hangs up. Who are you going to call now?

Through more research, Veronica discovers that all these numbers spanning across the country are all calling a number in Montana.

Back in Montana, Steadman picks up the phone to call his sister. She’s annoyed that he’s calling her since apparently they can only talk at home through a private meeting. Who do you think you are? You’re only the Vice-President! Steadman sneers that her numbers in the polls are going south and that he thought it was almost over—for Burrows or for her candidacy? She reminds him that she’s the only reason he’s still alive. He counterattacks by musing that with all the setbacks, why they haven’t killed her. He’s hit a sore point and she quickly hangs up.

Michael’s by the fence thinking of another way to get the keys when he sees Sara and Nurse Katie exiting the prison. Somehow Sara feels Michael staring at her and they make eye contact but she looks away, clearly uncomfortable. Sucre witnesses this exchange and wonders if he has the key yet. Michael looks dejected and says no. Sucre asks if he’s working a game on the doc. Sara looks back and smiles at Michael while he looks torn and mutters, “I don’t know.”

T-Bag is shaving in his cell when Abruzzi appears, leaning at the entryway. He tells him that he comes in peace and isn’t looking for revenge. He offers T-Bag his hand in truce. T-Bag is reluctant because he can’t see his other hand while Abruzzi insists that he gives him the benefit of a doubt since he’s been saved by Jesus. As T-Bag takes his clasps his hand, Abruzzi kids, “Does not a warm hand feel better than a cold shank?” They declare a truce; however I have a feeling this isn’t over.

The Pope curses to Bellick that in two and a half hours, they still haven’t found Lincoln yet. Bellick tries to reassure him and ends up with another two hours to do so before the press needs to be notified. The Pope reminds him that there’s an escaped killer on the loose and that’s more important than their careers. Bellick looks determined. On his way out, he’s stopped by Tweener who is begging him to do something about his living situation. Bellick has enough problems to worry about.

Back in the Love Shack, Avocado is napping as Tweener sits below waiting. Avocado awakens and come down to Tweener for some afternoon nookie. Tweener asks that they do the tryst in the upper bunk. Avocado complies and as he’s tidying the upper bunk, Tweener shanks him where it really hurts. I mean, really.

Sara is on her way to her car, when she’s stopped by Nika. Nika tells her that she’s worried that Michael has got himself into some trouble and needs to talk to her. Any one else finding Nika looking quite haggard in this episode? Too many late nights at the strip club? Back at the diner where wife and mistress finally meet, and Nika tells her sob story of how she and Michael met. Apparently she was bought to this country under false pretense and was supposed to be sold off but Michael, with his overwhelming need to help others, bought her freedom. Come on, Nika, we all know via the flashback episode that you were a mail order bride! Sara, hearing this story and Michael’s deeming qualities, comments, “He’s a good man.” When Sara presses Nika for more information, she clamps up, and attempts to hightail it out of there. She drops her bag and Sara bends down to help her out and she rushes out telling her to watch out for Michael.

Daddy Burrows is ready to make Lincoln disappear, so then The Company will only have to deal with him. However Lincoln is still very much injured and has some trouble moving. He questions his father, “How could killing me stop you?” Looks like Daddy Burrows is the one who blew the whistle on Terrance Steadman’s company and using Lincoln as the patsy was the only way to “flush him out” of hiding. But Daddy Burrows is heartless and selfish and would rather save the millions of lives from the wars that can be averted, than save his 2 sons and 1 grandchild. Here’s hoping you can sleep tonight, Daddy Burrows. Lincoln is furious that his father has caused so much heartache in his life and the many lives that went down because of him. Daddy Burrows is regretful and feels that there’s still a chance to make things right. Too bad a civilian spots their getaway car.

Walking freely out of his cell, another inmate passes a shank to T-Bag who makes his away over to Abruzzi. Just when he’s about to make his move, C-Note grabs him from behind. He warns him to remember what Abruzzi’s role in the escape is, and that he isn’t going to let T-Bag ruin his chances of seeing his family. He gets the shank from T-Bag. It also looks like Abruzzi might have been heard the entire exchange.

Sara is having trouble finding her keys and another orderly opens her door.

In the visitation room, Michael is surprised to see Nika. He starts apologizing for even asking her the favor when Nika slips him Sara’s keys. She tells him that they’re even now and bids him goodbye. As she kisses his cheek and she tells him that Sara cares for him. More conflicted emotions flit across Michael’s face.

Bellick is pacing around when C.O Patterson runs in telling him that the getaway car has been spotted. He’s on his way. Kellerman hears the same information from his radio feed and quickly drives over to finish the job first.

Daddy Burrows hands Lincoln a stack of maps and asks if he’s ready to go. Lincoln realizes he has no choice and has to go with him. He’s worried that they’ll be spotted but Daddy Burrows has found deserted roads for them to travel on. Before they can even step into the car, Lincoln spots Kellerman. Father and son exit the garage and scurry across the deserted lot while Kellerman is hot on their trail. The two hide behind some cars trying to decide where to go next when squad cars come up on both sides. Kellerman sees this and quickly puts a silencer on his pistol. Add to the hunt, Bellick and his rifle. Daddy Burrows finds a way out but Lincoln doesn’t move fast enough and is spotted by Kellerman. Lincoln urges his father to leave. Thankfully, at this moment, Lincoln spots Bellick and his team gets his attention. That was truly one of Lincoln’s smarter moments. He’s better off alive with Bellick than a slab on the morgue with Kellerman. He surrenders himself over to Bellick and Kellerman backs away in defeat. Foiled again! As Lincoln is being taken in by the authorities, he watches his father walk away.

Back in the cell, Michael is making a copy of Sara’s key, when Sucre comes in to deliver the news that Avocado had his little friend sliced. Michael is incredulous that Tweener was the culprit and even more so that Avocado lied. “Why?” asks Michael, and Sucre replies that with Tweener in the SHU, Avocado won’t be able to get him. Sucre laments that the second that Avocado gets out of the infirmary, “Tweener’s a dead man.” Michael looks worried.
Sara and Katie are making a mess looking for the missing keys. When Katie urges Sara to retrace her steps, she remembers that they were missing after lunch and envisions that Nika must have taken her keys when Sara was bent down helping her with her bag. Sara slams her drawer shut and storms over to check the visitation logs. Her suspicions are somewhat confirmed.

Michael is walking across the yard when Abruzzi stops him. He wants to know where Fibonacci is because he wants to make peace with him. It’s all a part of his “conversion.” Michael isn’t buying it. Abruzzi tries to convince him that he’s changed and that needs to reach out to Fibonacci so that “they can heal.” Michael smirks that it’s a good story but the answer is still no. Abruzzi says he understands and that he’ll be patient.

Or not, since Abruzzi is on the phone calling the one and only…Nick! Abruzzi tells him that “he’s officially on standby” that he has to have her there. And as soon as he calls, he wants the “bitch ready and waiting.” Nick hangs up while the clueless Veronica works in the background. Guess the picture of Veronica did come in handy, after all.

By the bleachers, Michael approaches Tweener, who knows his days are numbered. Michael recommends that he get himself into Ad-Seg but he’s not ready to admit what he did and add another twenty years to his ticket. Either way it doesn’t look good for our prison rapping friend. Michael muses that there might be another way out. “Yeah, in a body bag,” Tweener retorts. But Michael needs to know that he can really trust Tweener before he lets him in.

In the infirmary, Michael is rolling up his own sleeve (he won’t take 20 minutes!) when Sara comes in with her tray. He looks over at her and manpurrs, “How are you?” Sara politely answers his question and starts taking his blood sample. I’m surprised that Michael didn’t seem to notice how much chillier it became in the room or Sara’s cold stares in his direction. Katie comes in with some files and finds Sara’s keys in her inbox. Michael continues to look down until Katie wants to know if Sara wants to call off the maintenance guy who’s waiting outside. He looks up almost expecting her to say yes. Sara, never breaking eye contact, says no. At this point Michael definitely knows she’s angry as she reverts back to behavior she displayed right after he lied to her about his wife. Sara picks up on his silence and asks if there’s anything wrong. Michael apprehensively says no and takes a cheap shot when he asks if she wants to talk about what happened this morning. Sara dismisses him by telling him that she has a pretty good idea. Michael scowls and leaves the infirmary, never taking his eyes off the locks being changed. Sara notices him looking.

Lincoln is back at Fox River, and the Pope is not too pleased. He wants him under 24-hour surveillance. Lincoln tries to tell the Pope that someone was trying to kill him, but when he can’t give up his accomplice, the Pope’s orders remain the same. Oh Lincoln, for a few hours, you were actually out!

The next morning, Bellick is humming over his coffee when he’s stopped by Tweener who has information to give him in exchange for protection from Avocado and a few years off his sentence. Bellick gives him one last chance to provide him some real intel. Tweener reveals that Michael and the PI crew are escaping! In the newly finished break room, Bellick overturns a table and chairs and proceeds to take a sledgehammer to find a weak spot on the floor. He lifts the carpeting and proceeds to break away the surface and finds the hole! How will the team escape now?!?!

Next week on Prison Break, Michael point blanks tells Sara that he’s breaking his brother out and that he’ll need her help. Sucre has a mini meltdown right before the escape while Michael tells him that there’s no going back. The boys are in the pipes wearing the Whack Shack outfits. Michael tells someone in the infirmary to uncuff his brother. Westmoreland tells him them to go and not to turn back. The cons are on the loose as the alarm sounds. The Prison Break is finally here!! Stay tuned!!

"Tonight" synopsis :: Westmoreland uses Bellick to plug a hole in the escape plan, which forces Michael to move up the breakout timetable. A fearful Tweener pledges his loyalty to Michael and in return may get out of jail for free; Michael feels that he has no choice but to involve Sara in the plan and must betray his father figure; and Veronica finds her life in jeopardy from her closest ally, who has a surprising connection to a Fox River inmate.

Enjoy the new production stills in which we see Lincoln (Dominic Purcell) trying to get a message out to his brother Michael while still being locked up in solitary confinement.  Another scene has Michael (Wentworth Miller) looking frustrated because he can’t find a way to get Lincoln out of his cell for the escape.  And lastly, we see Michael finishing the replica Taj Mahal (it plays a critical role in the escape) for Warden Pope (Stacy Keach) in Prison Break episode "Tonight" airing Monday, May 1 (8PM ET/PT) on FOX. More pictures in the gallery!

That’s an unusual name. My great grandmother picked it out of a Jane Austen novel - Captain Wentworth in Persuasion.

What were you in when you were little? I was part of a dinosaur play in kindergarten. Everyone had to make their own costume with the help of their parents and most kids showed up with a paper bag over their heads. My father spent two weeks crafting this huge papier mâché Tyrannosaurus rex headpiece which was about half my body weight. When I tottered out on stage in front of all the parents and they burst into applause, I thought, ‘There’s something here’.

What underpants do you wear, asks Tat, from London. Boxers, by and large.

Virginia from Wimbledon, London, asks: ‘Do you have a girlfriend or are you married?’ No, I’m quite single right now. I’m married to the show.

Eat up some of the hottest outtakes ever from TV Guide of Wentworth Miller and his on-screen Prison Break brother Dominic Purcell.  Read the full Metro interview after the jump, more pictures in the gallery!

Do you get any stick for being so good-looking?
Ha ha ha. No, there hasn’t been a downside yet.

60 Seconds: Wentworth Miller

Wentworth Miller started his career with bit parts in TV shows such as Buffy The Vampire Slayer and Popular. He has become a heart-throb thanks to Prison Break, in which he stars as a convict who is trying to bust his brother out of jail, armed with nothing but the prison blueprint tattooed on his torso.

That’s an unusual name. My great grandmother picked it out of a Jane Austen novel - Captain Wentworth in Persuasion.

You were born in Britain. Have you been back? Yes, I was in an all-male a capella group when I was studying at Princeton and we’d tour Europe. We’d take the QE2 over from New York and spend some time in England. I spent nine months filming Dinotopia in Britain. It rained the most since records began when I was here but London’s a lovely city besides that.

Is Prison Break fun to make? Yes. It’s an ambitious show - it has got stunts and special effects, like the tattoo, in every show and hundreds of extras. We shoot it at a defunct prison outside Chicago - and in courtyards where civil war prisoners were executed and in cell blocks where John Wayne Gacy, one of America’s first serial killers, was held.

It’s quite atmospheric then? Ha ha. Yes, it’s rich in that dark kind of history. We spent five days a week there for ten months making the first series.

Does spending so long in a location like that drive you a bit crazy? No, because I know I get to leave at the end of the day, which makes all the difference.

The series is celebrated for being ludicrously far-fetched. How does it sustain itself? There are a couple of near escapes but, over all, my character Michael has one continuous plan you follow throughout the season. We have a number of cliffhangers in each episode which keeps the audience coming back but, even though the action is fantastic and we demand suspension of disbelief, we also have characters you can invest in and care about over the long term.

What are they going to do for series two? Send him back to jail? If the brothers get out, the series will become more like The Fugitive, with us trying to elude the authorities and solve the conspiracy that put my brother behind bars in the first place.

Do you like prison shows in general? I just finished watching the fifth and final series of Oz, which was really well done. Prison has a universal fascination. It’s a real-life horror story because, given the right set of circumstances, anyone could find themselves behind bars.

Have you ever seen Prisoner Cell Block H? No, but I’ve heard of it. It’s a 1970s thing, right?

They were in a prison called Wentworth Detention Centre. That’s a spooky coincidence.  Ha ha ha. It is. I’ve never seen it but I’m curious. Women behind bars seems tasty enough.

If you faced similar circumstances, would you bust a sibling out of jail? Not a chance. I’d get a few petitions lined up, make a few phone calls, get the best legal defence possible but I’d draw the line at actually going to jail on their behalf myself.

Your family have a legal background. Did they expect you to take that career path? No, but there was an expectation I’d get into the best college possible. After that, I could have done as I wanted.

So why did you go into acting? It is something I’ve enjoyed since I was a little boy. I abandoned those dreams at college because it didn’t seem to be a realistic way of earning a living. I spent a couple of years working behind the scenes at a production company and realised I still had this nagging question I needed to answer - one that would always haunt me unless I gave it a try.

You went to 500 auditions and only got 15 jobs out if it. What kept you motivated? You have to believe in your heart of hearts that there’s a script out there with your name on it and, if you keep pounding the pavement, something will turn up. You have to try not to take it personally, even though they’re not rejecting your work, they’re rejecting you - at least that’s what it feels like. I considered giving up but I couldn’t imagine myself doing anything else. Acting was something I needed like air. It wasn’t something I could walk away from.

What were you in when you were little? I was part of a dinosaur play in kindergarten. Everyone had to make their own costume with the help of their parents and most kids showed up with a paper bag over their heads. My father spent two weeks crafting this huge papier mâché Tyrannosaurus rex headpiece which was about half my body weight. When I tottered out on stage in front of all the parents and they burst into applause, I thought, ‘There’s something here’.

What was your first professional job? It was a guest star role on Buffy The Vampire Slayer back in 1997. It was one of my favourite shows, so to find myself on a back lot doing stunt work with Sarah Michelle Gellar and David Boreanaz was a treat.

How easy was it to get the Prison Break job? I hadn’t worked for a year when I had my Prison Break audition and it was the easiest audition I’ve ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn’t have time to be nervous - it happened so quickly.

The programme has raised your profile. Are you enjoying that? I am. A lot of people come up to me on the street and express their appreciation for the show. Prison Break has opened doors for me with feature film projects, although I won’t be undertaking any in the season hiatus because, after ten months behind bars, I need to take a break.

What’s the weirdest thing a fan has done to meet you? I’m not sure if it’s a function of the character I play or the quality of fans the show has but they seem to be a respectful, well-behaved group. I was going to a chat show in New York when the car was surrounded by fans who wouldn’t let us out until we gave autographs. I’m enjoying it, though.

You were in Mariah Carey’s We Belong Together video. How was that? It was a blast and advantageous for me. I got more attention from that video than anything else I’d done. Brett Ratner, who directed the pilot episode of Prison Break, also directed that video so I went from one project to the next.

Is Mariah as mad as everyone says? Mariah’s lovely. She took care of me on set and made sure that I felt at home and was enjoying myself.

You’ve got a mixed race background. Has that caused you problems being cast? I couldn’t say for sure because I’m never in the room when they’re discussing my audition tape. I imagine it has complicated things but I’ll never know to what extent.

Vin Diesel wouldn’t discuss his ethnicity in interviews. What do you make of that? That’s entirely his own business. I certainly understand why because this is a business about definitions and labels and often those can be incredibly limiting role-wise. I’ve been pretty fortunate, though.

What underpants do you wear, asks Tat, from London. Boxers, by and large.

Virginia from Wimbledon, London, asks: ‘Do you have a girlfriend or are you married?’ No, I’m quite single right now. I’m married to the show.

Do you get any stick for being so good-looking, wonders Paula McLeod from London. Ha ha ha. No, there hasn’t been a downside yet.

Have you got any tattoos yourself, asks Adam from Manchester. No, and I’ve got no plans to get any.

Delivery for all you Prison Break fans out there!  Here are the production stills for Prison Break episode "The Key", which airs on April 24 @ 8/9c on FOX.  You all should know what happens in this episode already since I posted 150+ screencaps from the episode that leaked two weeks ago. The pictures in this entry show Abruzzi (Peter Stormare) seeking Michael’s (Wentworth Miller) help.  Inset :: Lincolin (Dominic Purcell) left for dead and then hauled away from the crash site by his father (Tony Denison).  More pictures in the gallery!

Prison Break episode "Bluff" recap courtesy of geniass!!  Over 100+ screencaps in the gallery!  Here we go… Previously on Prison Break, Michael has trouble remembering the missing part to his tattoo. Pope demands to know who burned Michael or he’ll throw his ass in solitary. Brinker gives Kellerman a verbal smackdown. LJ discovers Kellerman’s real identity and shoots him. Haywire throws up his pills when he was Michael’s cellie. And in the Whack Shack, Haywire can’t remember who Michael is and boy does he look worried.

Michael attempts to trigger Haywire’s memory. Haywire gets a little too close to Michael as realizes that he was the one who stole his toothpaste. Michael refuses to take his pills when the Nurse comes by; Haywire gleefully takes his insisting it’s like candy.

Bellick and C.O. Geary are examining Michael and Sucre’s now abandoned cell. Bellick claims he knew Michael was going to go J-Cat soon. Did the fries tell you something, Bellick? They realize that they can auction the prime piece of real estate off to the highest bidder.

The Nurse and another orderly Carter warn Michael to take his pills or it’s going in the “rear door.” Defeated, Michael takes his pills only to spit it out when they leave. Michael wants Haywire to remember. Haywire still looks like he’s in Lala land.

Mojo takes a look at the Michael and Sucre’s cell and offers $200 to Geary. However he notices the toilet is leaking and maintenance will have to fix that. T-Bag overhears and gets worried that the hole will be discovered.

Over at Westmoreland’s cell, he and C-Note bond over their daughters. Westmoreland is looking at a picture of his daughter in a golden fob that he carries and is saddened by the fact that he might outlive his daughter. C-Note looks distressed. T-Bag lets them know what the deal is. C-Note isn’t worried. He’ll be able to get the money. C-Note goes to Geary and gives him a counteroffer; $500 or nothing.

Back at the Whack Shack, Michael plays with play doh. When he’s sure no is watching, he takes Haywire into the diaper room. Before you know it, Michael backs Haywire against the wall, telling him he has something in his teeth and stick his fingers down his throat. Haywire gags and the two pill he took are promptly ejected. Michael reminds him that the pills are “invisible handcuffs” and that Haywire doesn’t like them. (continued after the jump)

(continued before the jump) Back in the SHU, Lincoln gets a call from his son. He’s furious that LJ did this to himself but the younger half doesn’t give a damn. Veronica tells Lincoln that LJ is in for a triple whammy. His only hope is to get tried as a minor and for him to show a little remorse. Lincoln knows that he’s the only one who can get through to his son and that he needs to see him. Nice acting here, Linc.

Kellerman is still wounded as he is driving under the El when he is stopped by Brinker and her entourage. She tells him that he is not to make a move on Burrows and that he is off the case and back to being Owen Kravecki.

Michael continues to prod Haywire to remember but doesn’t seem to be getting anymore. As Haywire is being led away to group session, he whispers, “It’s a path.”

C-Note goes to visit the Trumpets in the yard to round up outstanding debt. The Trumpets are pissed that C-Note has left the CPT and joined up with T-Bag. They refuse to give him his money. C-Note gets one punch in before the Trumpets take him down with the socks stuffed with batteries. Ouch! Where’s the money gonna come from now, C-Note? You figure with a name like that, he’s gotta have a few hundreds at least, come on!

Back at the Whack Shack, Michael sighs as Haywire takes his pills again. This time, he motions for Michael to follow him into the diaper room where he automatically makes himself vomit. Phew! For being spared Michael’s attempt at turning Haywire into a bulimic. Michael disrobes his upper half to jar Haywire’s memory to see the pathway. Haywire freaks and insists it’s a “pathway to hell.” Michael corrects him, “it’s just the opposite.” Haywire looks closer and he seems to remember!

C-Note, looking bruised joins Westmoreland and T-Bag in the cafeteria. T-Bag notices that the “Bank of Africa” isn’t allowing any more withdrawals. T-Bag snits that D.B. could give them the money. Westmoreland retorts that A) he’s not D.B. and that B) there’s no visitation today so they can’t get money from the outside. T-Bag knows of another way to get the money—to get in on the Kitchen Game. To get in on the card game, they’ll need $50 to sit in.

Michael leads Haywire to sit down on a bed and hands him a pen and pad to draw. He disrobes once again (Michael, what are you doing to me!?!?) and tells him that he needs Haywire to fill in what’s “broken” on his back. Haywire can’t seem to remember and this frustrates Michael. Manche or D-Cups as I’ll affectionately refer to him for the rest of this recap comes by on laundry duty. He seems to have put two and two together when he sees the burn on Michael’s bag. Michael see D-Cups and tells him to pass a message on to Sucre that he’s ok and he’s working on filling the blanks.

Westmoreland gets a tour of the cell up for sale. He gets in and notices the bible where he had given Michael a hundred dollar bill to prove that he was D.B. Cooper. He offers Geary $100 for the cell and gets brutally rebuffed. Yay for continuity! The bible is gone and he passes it on to T-Bag who walks over to C-Note telling him that he needs to buy both of them into the game so they can cheat. T-Bag will be in charge of dealing while C-Note has to bluff his way through the game. C-Note looks worried as he notices all the Trumpets staring at them.

Nick is at the local Verizon store trying to find the matching charger to Quinn’s phone. Creepy Verizon guy comes up to Nick and asks him how his “girl” is. He reminds him that he shouldn’t have to come down to Nick for info and that he needs to remember who he works for. Nick needs to keep an eye on Veronica and not to anger Creepy Verizon guy into calling in on his favor.

Back in the Whack Shack, Haywire leads Michael into the Diaper room. Hmm…another tryst? Nope! But this time it’s Haywire that backs Michael against the wall, remembers everything and is angry for the time that he set him up and sent him back to the Whack Shack. Haywire reveals the finished drawing and waves it in front of Michael. He’s figured out that he wants to escape and starts to slowly tear the paper down the middle unless Michael tells him where and when he’s doing it. Michael tells him that the plan starts in the basement and eventually ends up at the infirmary. Haywire isn’t buying it but Michael convinces him that when he escapes, he’ll come back and get him out too. Haywire relents and hands over the map while threatening to kill Michael is he screws him over again.

Nick is sitting in the apartment looking dazed. Veronica enters with the same jacket…she had three years ago. Writers, get the woman a new jacket! She filed the petition to get Lincoln visitation rights to LJ. She notices that Nick found the charger and wonders why he didn’t plug it in. Veronica quickly starts the charging the phone and finds his entire phone book. Jackpot! Or not.

Cue Kitchen Game where there are 4 players at the table. Jesus, the leader of it all, C-Note, T-Bag and the only Asian con ever, appropriately named Ping Pong. He does not speak however. Why am I not surprised? Going with T-Bag’s plan, C-Note is winning.

Kellerman goes to complain to the VP and explains to her that the company’s agenda is not the same as theirs. If they don’t put Lincoln to the ground, it’s the VP who’s going to lose. VP decides that it’s time to “pull rank” and do things their way.

Warden goes to see Lincoln and tells him that his petition has been granted and that he’s allowed a one hour visit to see his son. The Pope comments that he’s never seen one approved before. Lincoln thinks he has a great lawyer. The Pope begs to differ. Linc, Veronica only graduated from the middle of her class! How great can a real estate lawyer really be?

T-Bag and C-Note’s plan is almost foiled when one of the cards is revealed and they have to deal again. It’s not looking good for Team Escapara until C-Note manages to bluff his way out and win the game.

Haywire is revealed to have multiple copies of the map he drew Michael. He snits that “Michael thinks he’s smarter than me,” and attempts to escape on his own. The second he touches the door, the alarm is rung and Haywire is captured. Foiled again! Michael smirks from his cell at this scene as Haywire is screaming, “he’s trying to escape.”

C-Note gives Geary the $500 only to find out that the asking price has risen to $700. Seeing no way out, he asks Westmoreland to give up the gold fob (what is with the Asian references?) to cover the rest of the payment. Would he rather have a picture of his daughter or see her in the flesh? Westmoreland gives it up tearfully. C-Note hands Geary the fob only to find out that he had no intention of giving him the cell. He tells C-Note, you’re S.O.L (s*** outta luck).

Dr. Sara visits Michael in the Whack Shack since he wanted to talk. On morphine again? What is up with the uncombed and unwashed hair? Michael offers her a seat on his bed and tells her he made her something. He gave her an ashtray to which Sara replies, “I don’t smoke.” He tells that that he didn’t peg her as the macaroni necklace type. Always take the jewelry, honey. Sara gets back on topic and asks Michael what he wanted to talk about. He tells her how they both know that he doesn’t belong here. Sara reaches out, squeezes his arm, and urges him to tell Pope who burned him; it’s his only way out.

D-Cups is back on laundry duty and visits Sucre and relays Michael’s message. Sucre tries to send a message back (so much cellie love!) but D-Cups won’t have any of it. He knows that Michael was the reason the uniform was burnt and he wants to know what’s going on. Sucre can’t tell him the truth. Luckily Linc is a few cells down (what is this? A sleepover) and calls D-Cups over.

D-Cups goes over to Team Escapara’s table and reveals that he can get the fish out of the aquarium. Who would have known that the brain trust would consist of Sucre, Linc and D-Cups? T-Bag is pissed that everyone is getting on the A-train. At this rate, how many inmates will still be left in gen pop? Westmoreland, the voice of reason lets D-Cups in who warns that the plan may work but it’s risky. Cue D-Cups redoing the burn on a C.O. uniform and then tossing it into Westmoreland’s dumpster as he heads over to another C.O. breakroom to plant it in a C.O.’s locker.

Michael wants the Warden to ensure that he’ll be protected to nothing like will happen again. Warden just wants a name. Geary, the tricky C.O. that will take the con’s money.

Veronica and Nick are dialing numbers only to reveal that all of them have been disconnected. V is frustrated that these numbers seem to have no common link as they are from all over the world. Nick offers to take the burden off her hands in finding the link between the numbers. V expresses her gratitude.

Back in C.O. breakroom, Bellick saunters in to his locker. Not even a few seconds later, the Warden storms in and heads straight towards Geary’s locker. Geary looks dumbfounded as he searches it to find C-Note’s $500, Westmoreland’s fob, and a burnt guard’s uniform. And Geary’s out! And so is Lincoln as he leaves in van with many officers and cuffed to see his son.

Nick watches Veronica working while he makes a phone call to presumably, Creepy Verizon guy and tells him, “She’s here. I’ve got her.”

Michael is readmitted into gen pop and Westmoreland is welcoming him back into the cell. Michael sits down next to him and gives him back his golden fob to which he quickly puts his daughter’s picture back in. Michael looks sad when Westmoreland leaves.

More scenes of Lincoln driving into the country. He looks happy to be out, taking in all the scenery. An officer warns him that he needs to play nice and asks him what he’s looking at. “Everything.” Their smooth ride is interrupted when a huge steam truck comes perpendicular to their path and crashes into Lincoln’s side overturning the truck! BAM!

Next time on Prison Break, Lincoln is left for the unconscious and presumably left for the dead. The Pope tells Bellick, “You have 2 hours to find him before I call the press.” Our favorite mob boss returns. Michael and Sara kiss and he tells her “I need you to do something for me.” Abruzzi offers T-Bag a truce. Kellerman tries to shoot Lincoln.

And that’s all! The things that bug me: How the hell did Michael’s hand heal so fast? No insulin? No pugnac? Discuss!

Prison Break’s Wentworth Miller phoned in for an interview with Z100’s Z Morning Zoo this morning from about 7:38AM - 7:50AM.  You can download Wentworth Miller’s interview below but the first half is cut off (they start off discussing the Mariah Carey videos).  Full transcription below thanks to geniass!! 

M: Good morning, it’s Wentworth Miller on the Z Morning Zoo!
Women cheer loudly!
WM: Good morning.
W (gushes): Good morning Wentworth!
WM: How are you?
W: Oh, much better now that you’re calling!
WM chuckles.
WM: You stop.
M: Oh Wentworth, you got an impact around here you could never measure.
WM chuckles.
W: Do you get that a lot, Wentworth? Do women always want to be by your side?
WM: Uh, you know, I think it’s the character that I’m playing. I think he’s like some kind of latter day Steve McQueen and yeah, the reaction has been kind of crazy.
W: Well congratulations are in order too because you’ve just been picked up for another season…
WM: Thank you so much.
W: …so that’s really great.
WM: Thank you so much.
W: And we’re big supporters of the show.
M: Oh absolutely. We talk about the show every morning, the morning after. Carolina has a big picture of you up here on her computer screen…
WM laughs.
W: You motivate me.
M: …and I don’t think it has anything to do with the character, Wentworth.
Everyone laughs.
WM: Easy, easy tiger.
W: It might be the muscles, and the hot…oh, forget it. Yeah.
More laughing.
W: I like a well tattooed man, so there you go!
WM chuckles.
W: Oh, speaking of the tattoo, how long does it take you to put that on every morning?
WM: You know, that’s about 4-5 hours to apply.
Everyone gasps.
M: Ouch.
W (gasp): Unbelievable!
WM: The good news is that we only put it on maybe once an episode.
W: Oh, that’s good. And then how do you get it off?
WM: You gotta scrub it off with solvents and wiry(?) gloves.
More gasping.
W: Ooh Carolina, you can scrub that off for him.
W: Listen, if you need any volunteers…?
WM chuckles.
WM: …if we need an extra hand…
W: I’m great at exfoliation!
M: Oh! Go on girl!
WM: I’ll give you mine.
W: She’s got two hands!
M: Wentworth, you know what? When a show hits like, Prison Break has hit, a lot of people try to analyze what it was that made it successful. You know from the outside we look at it, we think it’s exciting, we think some of the characters are powerful people, and we enjoy watching it but from your side, what do you think were the ingredients that made Prison Break successful?
WM: Well I think we had two things, two main things going for us. One, it’s a show essentially about family. You know, how far one guy is willing to go to save a loved one which is something that everyone can relate to but it’s also, of course about prison. And prison is this real-life horror story because it’s terrifying and it could conceivably happen to just about anyone.
W: Now, next season, it’s going to be called something different because this is the break and next season it’s like you’re on the run or something, isn’t it?
WM: Yeah, I think it’ll be like Prison Break colon the Fugitive.
Everyone oohs.
M: Really!
M: Nice!
W: That should be interesting!
M: I don’t know how you call it about family when you got people like T-bag on the show. Sheesh!
Everyone laughs.
W: He’s so creepy!
W: Yeah, he’s gross!
WM: There are all kinds of families out there.
Everyone laughs some more.
W: Well, I wanted to ask you because I’ve been following the show, you know, really religiously since it started. And I don’t know what I’m feeling about you and Sara. You know, you guys are getting a little too close but, do you think Michael is falling in love with her or do you think he’s just using her to help him get out?
WM: I think it’s a little bit of both and that kind of complicated tension between them is one of my favorite parts of the show because their relationship is moving to the next level, specifically, in the next couple of episodes.
W: Oh, are you going to throw her down and take advantage?
Everyone chuckles.
WM: But you’ll have to tune in. But at the same time, he does need her to help him with the escape. So it’s that push-pull, between using someone that he loves and knowing he shouldn’t.
M: Wow, it’s incredible. How much research, what kind of research did you have to do to get ready for Prison Break? I mean, some of the characters there are so right on and so powerful, I’m sure that T-bag and some of the other guys had to. I mean, who did they talk to, to build those characters?
WM: You know what? We don’t have to leave the set to talk to people who know what it’s like to be in jail because we film at a real facility, Joliet State Penn, 45 minutes out of Chicago.
All: Wow.
WM: We have the run of the place. They shut it down in 2002 and a lot of the extras we have on set, people who are playing inmates and correctional officers were former inmates at Joliet.
M: You know, I was going to mention that because some of those look those like some pretty hard dudes.
Everyone laughs.
W: Well, that’s always fun!
W: Oh my goodness. You know, we loved the flashback where you found out that your brother paid for college.
WM: Yeah, that was a great episode.
W: Yeah that was cool.

DOWNLOAD :: Wentworth Miller - Z100 Phone Interview [mp3]

Here’s a great description of the interview by KellyTheRN!!

They said hi to Went, he says Hi

Congrats for season 2 and being renewed, he says thank yous.

The girl DJ that was talking with the guy DJ was saying "HELLO, Wentworth!" and was all fangirly, and they mentioned another girl being nuts over him and they asked, do you get this reaction everywhere you go from women? He said something to the effect that it’s the character, it’s kind of like Steve McQueen..and that it’s been (interesting or nice or weird or something, I can’t remember).

They say that the girl that’s nutty over him has his picture on her computer, and "Wentworth, I don’t think that has ANYTHING to do with the character!" Wentworth laughed and over the ruckus you could hear him say, "easy, tiger!"

Tattoo question, AGAIN. Same old answer, AGAIN. But they seemed genuinely shocked at how long it took, and they asked how long it took to get off of him, and he talked about how they scrub it off with solvents. Girl DJ asks if they’re hiring (or something) and says she’s a very good exfoliater. Went laughs (as he does through most of this interview).

He was asked why he thought the show caught on. He says his regular answer…Brotherly love, prison, could happen to you, etc.

Asked what will happen when they get out: Hard right turn, may be called Prison Break colon The Fugitive. "AAAAhhhhs!" from the DJs.

DJ says he doesn’t know how they can call it a family show with T-Bag on there. Went laughs and says "there’s all kinds of families out there!"

They talk about Michael/Sara and if it’s love or is he using her? He says it’s a little of both, and that he needs her to get out so it’s a fine line. They ask if they’ll get it on by the end of the season and he laughs and says they’ll have to watch. The girl DJ asks, so are you going to throw her down, take advantage of her? Went laughs.

Ask about research for the roles, like how did T-Bag and the rest of them research, did they go out to talk to people? Went says they really didn’t have to go anywhere since they work with inmates, discusses working in the prison with former inmates as extras. Male DJ says he sorta figured that because some of those inmates look like pretty hard dudes! Went laughs HARD at this!

Talk about the Mariah videos and ask about her since she’s a "friend of the show" could he give them any gossip about her that they could tease her about? He tells the video story, 2 videos in 2 days, it was a treat, she’s an icon, it was a pleasure, she had a "big old wedding dress on" that weighed about 50 pounds, he had to sweep her away down these stone steps and he was struggling with her because SHE was struggling so much in the dress. Big 6′7" bodyguard came up after the first "struggling" take and said, "Mariah cannot fall." Went laughed about it.

They mentioned Prison Break isn’t the first thing he’s been in, they mentioned Underworld, ER, Joan of Arcadia and Buffy (they left out Human Stain, the biggest thing he’s been in! I wonder how he felt about that.). Anyway, they asked how it felt to just now be discovered after being in so many things. Went said he’s glad, not many people get to do an "apprenticeship" in the business and kick around the edges. He got to get familiar with the business without the pressure of the public on him, and some new stars make it overnight without that knowledge, etc.

They asked can you go to a restaurant (without being accosted by fans)? Then the girl DJ jumped in saying "without people like (nutty girl) humping your leg?" He said that the fan attention is incredible and that he never minds when people come up and talk about the show. The guy DJ said something like "uh oh you shouldn’t have said that now everyone will be coming up to you", the girl DJ said something I can’t recall and then Went said, "I’ll save you a place at my table." That got her all wigged out and she said, "I’ll take you up on that!" (even though he was just saying it to be nice…she jumped on it like a proper Prettyphile!)

They asked something about the Chicago/LA thing and he started to talk about being a workaholic and he’s on set all day 5 days a week and then THE FRIGGIN SOUND WENT OUT on the Z100 player and it kept trying to reconnect. When it came back on Went was saying he "wouldn’t last 5 minutes." Then the DJ said something about you could take Kiefer … [Wentworth admitted to never having watched 24 and wouldn’t last 5 seconds against Kiefer]. And Went was laughing a lot.

They asked Do you sing? (sound out for a second) Back in college he had done his share. DJ: Will we hear you sing on PB? Went laughing said that’s "no place for singin’."

Then they had one question left and I got a little confused as to who was talking (DJ wise) because it sounded like more than 2 people talking, and the girl said she forgot her question and then OH! She remembered it. She said (I kid you not) Went, I wanted to thank you for providing me with MANY fantasies to put me to bed at night. Went burst out laughing! Then said WHOA! After more laughing he said, deadpan: "whoa and you’re welcome."

Then they rambled through some contest information to get a chance to go to the wrap party and I heard Went say thank you, all the while the player was cutting in and out.

Here are some outtakes of Prison Break’s Wentworth Miller from People Magazine’s Most Sexiest Men Alive 2005 issue where he revealed, "My last meaningful relationship was about a year ago and lasted only a few months, but it was hot and heavy — those are the best kind.  In another interview about relationships, 33-year-old Wentworth Miller, also mentioned, "My rule is you want someone who’s got both feet on the ground. An ideal girlfriend might be someone who works in the business and can understand what you’re going through but is not an actor themselves - is willing to run lines with you but when you start acting crazy, they throw up their hands and take you for what you are and be accepting."  And did you know that actor/producer Seth Green has a Wentworth Miller doll in his office? And it has a chest tattoo too!  More pictures in the gallery!

These guys just can’t catch a break. First, they’re thisclose to escaping but can’t smash the pipe to get to Lincoln (Dominic Purcell). Then Michael (Wentworth Miller) burns his back on a steam pipe and a key piece of the blueprint tattoo is gone. But even though they’re down, the Fox River crew are not out—which is where they want to be. In the April 17 episode, Michael tries to move them back on track. After getting himself transferred to the psych ward, he tries to talk to his crazy ex-cellmate Haywire (Silas Weir Mitchell), who might just remember the missing portion of the tattoo. Yeah, that’s right—the boys’ fate lies with a dude named Haywire.  More pictures from TV Guide April 17-23, 2006 in the gallery!